
There’s been a bit of a flurry in the internets over VS Naipaul’s latest, in which he keeps insisting on showing the world what a pompous ass he is:
In an interview at the Royal Geographic Society on Tuesday about his career, Naipaul, who has been described as the “greatest living writer of English prose”, was asked if he considered any woman writer his literary match.
He replied: “I don’t think so.” Of Austen he said he “couldn’t possibly share her sentimental ambitions, her sentimental sense of the world”. He felt that women writers were “quite different”. He said: “I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. I think [it is] unequal to me.”
The author, who was born in Trinidad, said this was because of women’s “sentimentality, the narrow view of the world”.
“And inevitably for a woman, she is not a complete master of a house, so that comes over in her writing too,” he said. He added: “My publisher, who was so good as a taster and editor, when she became a writer, lo and behold, it was all this feminine tosh. I don’t mean this in any unkind way.”
His views on women (and blacks, for that matter) are so dated that they become laughable and not something to get angry about. His stupidity speaks for itself (especially because he probably wouldn’t pass this test).
That’s why I enjoyed Ta-Nehisi Coates’ comment about the pointlessness of trying to “educate” someone like Naipaul:
I frequently mention that I am a product of black consciousness. One of the better lessons of my faith is that you don’t waste your time trying to win over people who do not like you. I deeply believe in black people’s right to ponder themselves and their place in the world, minus the burden of educating white racists. Likewise, I am convinced that people who construct their canon based on what is, or isn’t, swinging between the author’s legs must confront themselves.
This is what I was driving at in my comments about women’s lit being something more than a tool for convincing men to be less sexist. I’m looking to avoid a subtly demeaning subtext which holds that reading, say, Jamaica Kincaid is something you should do–like flossing or taxes or laundry. I don’t want to speak for women writers, but I recoil at the idea of someone reading my book because they really should read a black author or two. I don’t want to be an icebreaker at your corporation’s Kwanzaa gathering.
This prompted a response by a female commenter named Hilzoy who said that he’s still a writer “deeply worth reading” as he’s one of the writers she’s learned the most from and so she would “hate to have been deprived of that”. To which Coates agreed, pointing at the “the crucial importance of not becoming a shallow reactionary”. I tend to agree, especially with the way he phrased it in an older column:
Ty Cobb was both a great baseball player and a bigot. The notion that we must choose between the two, that one mitigates the other, that good people don’t do deplorable things, that deplorable people don’t do great things, emanates from our own inability to understand that bigotry is not strictly the preserve of orcs.
However, I also agree with the points made by Zunguzungu chiming in the debate:
The problem with Naipaul isn’t that there is no profit in reading him, if you read nimbly and carefully and thoughtfully. The problem is that another world is possible and inevitable, one that he has never known and which you will not know better from reading him. And there are so many writers who see so much more clearly than him — so many writers who will challenge your inheritance of passed illusions, in ways he never will — that to spend your time with him is to close your eyes to a great deal that is within your grasp.
I have read less than a book by Naipaul (A bend in the river, and didn’t finish it because of reasons that had nothing to do with the quality of the book), so I can’t say whether I find his writing really is that gorgeous, or to know if I agree with Zungungu when he says that he’s famous mainly because he “didn’t challenge the myopic blind spots of a world long been confused by the humanity of brown people”. But I do tend to avoid biographical details about authors (or filmmakers for that matter) that I enjoy. Because at the end of the day, there are too many people out there with questionable views. And many assholes with talent.